Dance · Yoga · Reiki · Education
Where Stories Meet
Exploring awareness through movement — across dance, film, education, and self-inquiry.
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Dance · Yoga · Reiki · Education
Exploring awareness through movement — across dance, film, education, and self-inquiry.
Explore offerings →
Megha Subramanian is a Tkaronto-based multidisciplinary artist whose work spans dance, theatre, film, and writing. Her practice investigates the self, memory, and embodied experience — informed by Yoga, Reiki, and Vipassana.
Constantly engaged in research and education, she integrates academic, spiritual, and artistic inquiry into her work, creating spaces where stories, movement, and learning converge.
Core Practice
Grounded in post-modern Bharatanatyam, Megha's practice draws from classical texts such as the Nāṭyaśāstra, Eastern and Western philosophy, and contemplative disciplines including Yoga, Reiki, and Vipassana. Her work questions inherited structures while exploring new movement vocabularies.
Across performance, film, and pedagogy, she reinterprets traditional narratives to examine memory, identity, and the spaces between gesture and meaning — prioritizing experience over exposition.
Learn more →Modalities of Work
Building independent learners through embodied storytelling and self-inquiry.
Post-modern Bharatanatyam, movement-based installations, and embodied storytelling that deconstruct classical form and narrative.
Movement-driven films and experimental visual works that translate embodied rhythm, gesture, and stillness into cinematic language.
Teaching across IB and Cambridge curricula, TESL instruction, and arts education — integrating critical thinking with embodied learning.
Embodied practices supporting awareness, presence, and wellbeing — offered through individual and group sessions, integrated with movement.
Artistic Works
Rooted in post-modern Bharatanatyam, Megha's projects rework traditional stories by pressing against classical structures — allowing gesture, rhythm, and stillness to generate new meanings within contemporary contexts.
Her works dwell in repetition, memory, and embodied presence, asking audiences to experience story through sensation rather than explanation.
View selected works →Follow along